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Showing posts with label Free Sample. Show all posts
Showing posts with label Free Sample. Show all posts

Wednesday, July 21, 2021

Wednesday Excerpt: A Second Bookiversary

  • Author, Edna Bell-Pearson
  • Meadowlark - July 2019
  • ISBN: 978-1-7322410-6-0

It's hard to believe it has been two years since the publication of Headwinds, a memoir by Edna Bell-Pearson. 

Today we are re-sharing an interview with Edna that was written by our publicist, Linzi Garcia, and first published in the Emporia Gazette.

Headwinds is a 2020 Kansas Notable book.


Local independent press Meadowlark Books and Kansas author Edna Bell-Pearson are celebrating their spots on the 2020 Kansas Notable Books list for Bell-Pearson’s memoir “Headwinds.”

“When World War II makes her way to southwest Kansas, Edna Bell-Pearson’s life is forever changed,” the book description reads. “After meeting the man who is to become her husband — a pilot stationed in her hometown of Liberal — Edna moves to the opposite corner of the state. She is instrumental in starting what will become the Marysville Municipal Airport.”

Wednesday, April 28, 2021

Excerpt: More Than Words Companion Poems by Kevin Rabas


Enjoy this reading by Linzi Garcia, Publicist Extraordinaire. She shares poems from Kevin's chapbook, "Enough." Purchase a poetry book from Meadowlark and you will get one of these bonus chapbooks in your envelope. How great is that?

More Than Words: Poems & Sketches

ISBN: 978-1-7362232-1-5

Retail: $12.00        136 pages

Order from the Meadowlark Bookstore








Past Poet Laureate of Kansas (2017-2019) Kevin Rabas teaches at Emporia State University, where he leads the poetry and playwriting tracks and chairs the Department of English, Modern Languages, and Journalism. He has fourteen other books, including 
Lisa’s Flying Electric Piano, a Kansas Notable Book and Nelson Poetry Book Award winner. He is the recipient of the Emporia State President’s and Liberal Arts & Sciences Awards for Research and Creativity, and he is the winner of the Langston Hughes Award for Poetry. His plays have been performed across Kansas and on both coasts.



Wednesday, April 21, 2021

Excerpt: Walking on Water, poems by Cheryl Unruh

We had the honor of publishing Cheryl Unruh's first collection of poetry in 2017. What a treat! Today we share a reading of the title poem by Cheryl, and invite you to view a sample of Cheryl's book at ISSUU.

Award-winning essayist, Cheryl Unruh, grounds the reader in a study of land and sky, love and life, and death and curiosity in Walking on Water, her first book of poetry. Once an inland sea, this place called Kansas now offers a wide-open prairie, covered with grasses and grains which wave in the wind, mimicking that long-gone sea. The vacant plains and open skies of her native state provide a sense of freedom for Cheryl, and it is these elements, as well as the colorful textures of this land and its people, that she draws from for her writing.

Through glimpses of her childhood growing up in a tiny Kansas town, Cheryl explores finding her place in the world and examines how Midwesterners relate to family, to friends, and to their communities. Because one of her father’s jobs was as caretaker of the town’s cemetery, Cheryl spent part of her youth in the graveyard, becoming acquainted early with the concept of death. Poems in this collection reflect her varied perspectives of death, including a childhood perception that the afterlife took place underground.

The book isn’t all serious, however. Readers will laugh out loud through Cheryl’s To-Do List poetry. She employs her sense of humor, creating clashes of thought and mixing together modern culture and spirituality, imagination and song.

Fans of Cheryl’s two previous collections of vivid Kansas essays will delight in her poetry. New readers will be charmed. This collection leads the reader to discover the beauty in the simplest of landscapes, to revel in the always-changing seasons, and to seek magic and splendor in the everyday moments of life.


Praise for Walking on Water:

Walking on Water is a refreshing and original exploration of place: poems that speak from the earth and into the sky of what it means to live and create in the center of the continent. From the remnants of the inland ocean to this planet that “twists in the dark,” Cheryl Unruh expands our ability to see and hear what’s on the edge of our horizons as well as the seemingly simple moments that encapsulate living in “the prairie’s open hand.” She also sparks this clear-seeing with humor, such as in “Making a List,” a collection of to-do lists mixing the mythical and ordinary, psychological and geographical. Memory and the power of storytelling, what lies within and around us, and the simplicity of paying attention sing through these poems of home as both a journey into what makes us wild and an arrival into the essence of life.
~Caryn Mirriam-Goldberg, 2009–13 Kansas Poet Laureate
and author of Chasing Weather (with photographer Stephen Locke)

Cheryl Unruh brings to her poems the same insider’s insight and open-eyed sense of wonder that made her essays about Kansas so delightful. “In a scrappy little town / wooden houses have been / left for dead . . .” we read, and we know she has ridden those silent, dusty, rural roads. The lines: “An airplane, / camouflaged by constellations” have us standing beside her, searching the singularly brilliant Milky Way that arches from horizon to horizon across the nighttime Kansas prairie. “I listen in the dark, / the rain filling a place / I didn’t know was empty,” she writes, and you find that Cheryl’s words work just that way for you.
~Roy Beckemeyer, author of Music I Once Could  Dance To

Cheryl’s new book of poems re-exhibits her keen eye for Kansas life and her heart for Kansas-land and its people, from its coyote “running for home like a kid / late for curfew” to its “cicadas (that) chant evening prayers.” The collection also exhibits her wit, revealed in to-do lists that include “Spend only dimes today . . . Restripe the zebras . . . Do not cry at elevator music . . . Blare Jimmy Buffett until the neighbors complain . . . Toss yesterday to the wind.” Such is the way of this collection, full of wit and wisdom, as strong as her prose, but with more vivid light, like a thin blue butane flame.
~Kevin Rabas, author of Songs for My Father

The hallmark of Cheryl Unruh’s prose has always been its lyricism. Admirers of her essays and columns—which is to say, anybody who has read them—will be delighted and not at all surprised to learn that she produces wise, witty, painterly poems as well.
~Eric McHenry, 2015–17 Kansas Poet Laureate

Wednesday, April 14, 2021

Excerpt: Valentine, by Ruth Maus

 This week, as part of our Poetry Month celebration, we are sharing some audio excerpts from Valentine, poems by Ruth Maus.

The title poem: 


The Big Chill:


Purchase Valentine as Audiobook at:

Wry and rue---it sounds like the recipe for a craft cocktail.  But those are really the main ingredients in Ruth Maus’s sly wise and expansive book, even or especially in the poems that really are about cocktails.  Most of her poems are short—and a lot bigger than they seem, poems marked by gallows humor and a poker face, and with just a twitch of a tell that reveals how much lies beneath their surface.


Michael Gorra, author of Portrait of a Novel: Henry James 
and the Making of an American Masterpiece


In Valentine, Ruth Maus offers a love letter to the world, powering her lines with the engines of parallel structure, formal play, and bright image. Using diction that is conversational, at times outright rollicking, we’re invited into a world where the righteousness of salt / on a monster margarita / sings psalm and hallelujah enough, while the speaker considers romantic temptations, one’s call to art, and what lies ahead. This is a creative and sprightly collection.

Sandra Beasley, author of Count the Waves


Wednesday, March 31, 2021

Wednesday Excerpt: What Lies Beyond, by Hannah Jeffers Huser

 Today we celebrate the birthday of Meadowlark author, Hannah Jeffers-Huser. As a treat, here's an excerpt from What Lies Beyond, available in the Meadowlark bookstore


Chapter 2

 

Halona gave the tall, redheaded young man who stood in the doorway of the village medical hut a scolding look. His left arm was bleeding. He rubbed the back of his head sheepishly with his good arm as they stared at each other with matching green eyes.

“Evian.” The name rolled from her tongue, causing her older brother to cringe. She motioned for him to sit on the cot beside her. He obeyed the small woman’s orders and flinched when he saw her furious glare up close. She searched around in the cabinets of the hut before walking to her brother with a basket of supplies in her pale hands.

“You and Severin were training again.” It was a statement, not a question. The harsh tone of her voice made Evian cringe once more.

He let out a nervous chuckle before speaking. “Yeah. We got a little carried away. You should see what he looks like.”

“I’m assuming he doesn’t have a single scratch. You can’t beat him, Evian. He’s a strong fighter.” She gave her brother a teasing smirk as she began mixing herbs into a bowl to create a brown paste.

Evian sighed dejectedly before asking, “Where’s Mariana?” He looked around the hut. The clan’s healer was always in the medical hut. She rarely left her apprentice there alone.

Wednesday, February 24, 2021

Excerpt: Echoes in the Hallways: History and Recollections of 102 Closed Iowa High Schools, by James Kenyon

Echoes in the Hallways:
History and Recollections 
of 102 Closed Iowa High Schools

by James Kenyon
576 pages - ISBN: 978-1-7342477-9-4
Order today direct from Meadowlark online
or print and mail this form to order. 

 

James Kenyon has followed up his popular, award-winning book on closed Kansas high schools with a book on closed high schools in his adopted state of Iowa. Enjoy this excerpt from Galva High School, one of 102 high schools featured in the book.

Buses—The first buses used were called hacks. They were wooden coaches pulled by horses. Soap stones heated at the school furnace were placed in the buses during the winter to help keep the children warm. In 1932, the first motorized buses designed by Jim Fleetwood (’32) were used to transport the students.

By 1954, the Galva Community School District had expanded to 72 sections of land and used seven 24-passenger buses. The drivers each owned their buses and the district paid them mileage.

With declining rural enrollment in the late 1970s, the district used three 48-passenger buses.

 * * *

Music—In 1932, there was a school orchestra with 14 students.

      A picture of the 1939 Girls Glee Club showed 24 girls dressed in identical dresses. These dresses had been purchased from Younkers in Sioux City for $1.50 each.

In 1962, a new band and music instructor came to Galva. Mr. Jim Inman led the band and music department for the next 18 years, until the high school closed. The school purchased new band uniforms in 1965. The dark blue and gold uniforms with Galva printed diagonally across them became known throughout the state. They were even seen in Winnipeg, Canada, as the entire marching band traveled across the border to perform at the Winnipeg Band Festival and Parade.  Between 90 to 95% of the student body was involved in some performance position including twirlers, flags, majorettes, and instrumentalists. Galva set an Iowa State record in Small Group (Class) contests with 50 Division #1s in instrument solos and ensembles.

 * * *

Sports—Football was played for the first time in 1906. For the next three years all the team’s games had to be played away as Galva had no field. The teams they played were Ida Grove, Correctionville, and Early.

Boys basketball became a school sport in 1912. All the practices were outside on a dirt court as the school had no indoor practice facility. The team’s first game was at Holstein which sported the indoor Turner Hall. The Holstein team was dressed in uniforms, but Galva only had cut-off overalls. With the indoor surroundings and the awe of the uniforms, Galva lost the game handily. 

   * * *

Events and Activities—With the outbreak of World War I, the students were involved in rolling bandages for the Red Cross.

In 1920, the Malloy house provided room and board for many of the teachers at the school. This arrangement continued for the next 30 years. The teachers staying at the Malloy house could get their lunch meal at noon. A student from school walked to the boarding house to get the hot lunch for the teacher, who was staying back at the school to supervise over the noon hour.

In 1942, the grading system was changed to drop the letter grade E, between D and F.

Kindergarten was started on March 6, 1944 on a part-time basis due to the large class that was anticipated for the first grade the next fall. Kindergarten became all day in 1950.

An honor roll was prepared by the high school students to commemorate and recognize the 105 Galva graduates that were serving in World War II.

The first school annual yearbook was printed in 1953 and called the Galvacade (named based on the popular radio show called Cavalacade of America).

On November 22, 1963, Kathy Wanberg Breyfogle (’67) was going to home economics class when she passed by the superintendent’s office and heard that President Kennedy had been shot. “I hurried into the home economics room and announced that the President had been shot. At first, nobody wanted to believe this freshman, but with my horrified look it finally set in,” she remembered.


Kenyon was a veterinarian for 35 years in a mixed animal practice in Iowa and a seven-time veterinarian for the Alaska Iditarod Dog Sled Race. He also served for twenty-four years on his local school board. He is the author of, A Cow for College and Other Stories of 1950s Farm Life and Golden Rule Days: History and Recollections of 109 Closed Kansas High Schools. Both books received commendations as Martin Kansas History Book Award winners. 


Praise for Echoes in the Hallways:

Echoes in the Hallway is a time machine for those who love Iowa history, or those who simply enjoy remembering the days of long ago. No matter where in the lengthy book you drop in for a visit, the pages contain sweet, funny, or memorable tales of long-ago schools and school days. And even better for those who take pride in the Hawkeye state are the stories told by the classmates or neighbors of the famous, notable, and just plain interesting folk who attended and thrived in the small schools that dotted the plains of the state before consolidation had even been heard of.

 “Although not a native Iowan himself, author James Kenyon shows a real appreciation for his adopted state, writing of the history of the small towns whose schools are no more. And while there are many topics he includes in each of the renderings of 102 ghost high schools of Iowa, he treats with the special fondness of a native the stories of six on six girls basketball and what it meant to the tiny schools that were Goliath slayers in the annual state tournament. He let the local historians sitting around the kitchen tables, in the libraries, in the parks and the history centers tell him and his readers their stories in their own words and their love and pride of their no-more schools comes through in the words he captured.

 “In all, Dr. Kenyon met with hundreds of Iowans recording memories of 102 high schools—one for each county and then three extra—that are no more. Through his vignettes, those stories of those forgotten schools have been saved forever. As a graduate of one of those schools, I thank you, Jim.”

 — Linda Artlip Weinstein, Villisca High School 1966, An administrator of Facebook’s “Forgotten Iowa Historical Society”


“Dr. Jim Kenyon’s Echoes in the Hallways gives an in-depth look at early education in Iowa.  By focusing on one high school that has closed in each county, he paints a vivid picture of secondary education across the state.  Hearing the voices of those who attended each school adds wonderful, intriguing memories that come alive in a way that only can be told by individuals who were there.

“High schools have long made up the social fabric in communities across the state, especially in rural Iowa.  By engaging with community members in the 102 schools cited in the book, Dr. Kenyon reveals the extreme pride people of Iowa have in their schools and communities.  Echoes in the Hallways showcases how Iowans have built an extraordinary education system school by school.  Because it is so well researched and written, once you pick it up you’ll have a hard time putting it down.”

— Dave Else, PHD, Professor Emeritus, University of Northern Iowa


K-12 education has an extremely rich history in Iowa.  As a result, nearly every community, large and small, had a high school, and it was a source of pride and joy for its residents.  Often, the school and its activities defined the community’s history. However, as the rural landscape changed over the years, resulting in fewer farm families, many of the smaller schools declined in enrollment.  Much to the dismay of these communities, the school districts either reorganized with larger districts or closed its buildings altogether.  A rather large number of communities were left with empty school buildings.

Author James Kenyon captures the history of 102 of these closed Iowa high schools in his most interesting book, Echoes in the Hallways.  Through interviewing people within the community who were invested in the school’s history, researching noteworthy events in the town, honoring students, teachers and staff who impacted the school, and, finally, noting the school’s final closing days, the school’s history was fittingly recorded. I thoroughly enjoyed Echoes in the Hallways and appreciate the efforts to preserve some of the history of Iowa’s schools. 

— Les Douma, Retired Chief Administrator, Northwest Area Education Agency


Wednesday, February 17, 2021

A Certain Kind of Forgiveness, by Carol Kapaun Ratchenski, Birdy Poetry Prize Winner 2019

We now have copies of our Birdy Poetry Prize Books, winners and finalists, available in the Meadowlark Bookstore (and wherever you buy books)! Use the coupon code VALENTINE to get 10% off any/all poetry books purchased directly from Meadowlark in the month of February.

You are invited to our virtual reading event with our 2019 and 2020 Birdy Winners and Finalists on March 13, 2021, 6:00 pm. The winner of the 2021 Birdy Poetry Prize will be announced at this event.

Register today 












There is a worldliness in these poems, the kind of grit that accompanies a strong heart. There’s awareness--of the self, of the world. And the poems are populated with the magical, husky things of this earth: warm beer in Berlin, rice in a bowl in a monastery, and stains from fresh cranberries. These are poems we can savor, now and again.
-Kevin Rabas, Poet Laureate of Kansas, 2017-2019


I love Carol Kapaun Ratchenski’s prose poems.  I mean, I love the poems in verse, too, but these narrative nuggets feed me all the way down to my bones. This is soul food, without ever packaging itself in God-language.  It is brimming with hope, even as says yes to shattering loss.  It is a wonder-soaked glimpse of love in all of its expressions, as it’s knocking her down and lifting her up.  The poet’s version of the human predicament, told with startling authenticity, becomes my story.  Becomes our story.  Becomes redemption.
 -Mirabai Starr, Author of Caravan of No Despair and Wild Mercy


Carol Kapaun Ratchenski is a lifelong resident of North Dakota, where you can see the sky without ever looking up and the open spaces demand art. And sometimes, love. Her first collection of poetry, A Beautiful Hell, won the 2016 Many Voices Project and was published by New Rivers Press. A Beautiful Hell has since been adapted to the stage by Laurie J. Baker with the support of Theater “B” and Humanities North Dakota. Ratchenskiʼs first novel, Mambaby was published in 2013 by Knuckledown Press. Her work has appeared in Gypsy CabRed WeatherNorth Dakota QuarterlyWintercount,
Lake Region ReviewDust and FireDashNDSU Magazine and others as well as in the anthologies Resurrecting Grace: Remembering Catholic Childhoods, edited by Marilyn Sewell, Beacon Press, 2001, The Cancer Poetry Project: Poems by Cancer Patients and Those Who Love Them, edited by Karen B. Miller, Fairview Press, 2007, and Visiting Bob: Poems Inspired by the Life and Work of Bob Dylan, edited by Thom Tammaro and Alan Davis, New Rivers Press, 2018.

Ratchenski is a Licensed Professional Counselor and the owner/operator of Center for Compassion and Creativity in Fargo, ND, where she also lives. She is at work on a second novel while she prepares to be honest, loving, disruptive, and groovy at age 60.

Wednesday, February 10, 2021

Excerpt: Selected Poems: 2000-2020, by JC Mehta

We now have copies of our 2020 Birdy Poetry Prize-winning books available in the Meadowlark Bookstore (and wherever you buy books)! Enjoy these poems from the book.

You are invited to our virtual reading event with JC and other Birdy authors on March 13, 2021, 6:00 pm. The winner of the 2021 Birdy Poetry Prize will be announced at this event.

Register today 






“This Selected group of poems illuminates some harsh realities regarding identity. There are poems that smack a consciousness sideways. The poems have a real grit to them. For the reader, each poem will be an eye-opening experience.”

      -Poet/Professor Stanley E. Banks, Blue Beat Syncopation (Bookmark Press) 


“With sharp and incisive language, each piece provides an immersive moment, inviting the reader into the experience of growing up half Cherokee, of self-harm and losing friends, of teaching and aging and loving and living in the Pacific Northwest. Nothing is veiled, nothing is alluded to, and their humor is ever-present, wry and witty. Any writer who begins a poem with My psychologist says (don’t you love when poets start like this?) has levels of self-awareness and genre savvy that speak to years of dedication to identity and craft.”

      -Brenna Crotty, Editor, Selected Poems


JC Mehta is an interdisciplinary artist, poet, author of several books, and citizen of the Cherokee Nation. Much of their work is informed by space, place, and ancestry. Mehta has served as the Editor in Chief of Crab Creek Review and has been awarded a number of art and research fellowships, including a First Peoples Fund fellowship and Eccles Centre Visiting fellowship at the British Library. Poetry-in-residency posts have taken Mehta to Crazy Horse Memorial, the Shakespeare Birthplace Trust in Britain, and Halcyon Arts Lab in Washington DC. Book awards include gold at the IPPY Awards, Book Excellence Awards, and Reader Views Literary Awards.